In the coal-mining cities of southeastern Ohio, nestled in the Appalachian mountains, photographer Rich-Joseph Facun has labored on a visible research of a area that has been stereotyped for many years. Appalachia has typically been seen one-dimensionally, saddled in associations associated to poverty and opioid use, and deemed “Trump Country” throughout the 2016 election.
Yet Facun’s collection on the “Little Cities of Black Diamonds,” named for his or her once-booming coal business, reveals a extra nuanced and alluring tackle rural Ohio, which turned his dwelling. The forthcoming ebook, “Black Diamonds,” was efficiently funded on Kickstarter and can be revealed in spring 2021 by Fall Line Press.
“Black Diamonds” is an alluring portrait of an Appalachian city. Credit: Rich-Joseph Facun
Facun is a photographer of indigenous Mexican and Filipino descent who grew up in Mississippi and Virginia and put down roots in Ohio after taking a job at Ohio University, the place he studied visible communication. During his time there as a scholar, he lived in a “bubble,” he defined over video.
“I really didn’t have … any knowledge of what rural Appalachia was like,” he mentioned. “You can drive maybe five or 10 minutes in any direction and be in the country. But I wasn’t even aware of that. It wasn’t even on my radar.”
When Facun moved to “Trump Country” throughout a interval of political divide, he wished to raised perceive his neighborhood and neighbors. Credit: Rich-Joseph Facun
He returned to the realm 15 years later together with his spouse and youngsters to homestead in the nation. They settled in throughout the 2016 election season, and as then-candidate Donald Trump’s rhetoric in opposition to Mexico turned extra inflammatory, Facun started to develop more and more uneasy as an individual of coloration in a virtually all-White space. He realized he did not know his neighborhood; it was an unfamiliar feeling given his earlier stints working for native newspapers
Despite crossing over many state borders up and down the jap half of the United States, the favored narrative about Appalachia is that of a deep-red, insular area. Facun was involved concerning the sense of rising hostility and polarization in the nation and apprehensive it was occurring in his personal yard.
“People were pointing the finger at Appalachia saying, ‘They’re all voting for Trump and it’s their fault. It’s middle America’s fault,’ ” he mentioned. “I still had not met my neighbors, or any of the surrounding communities. I was just uncertain. Am I safe? Or am I living in this little bubble in the country?”
Encounters with strangers
Facun’s ensuing survey of Appalachia would not scale back the area to its politics, however as a substitute is an train in making connections and understanding his dwelling.
His is a portrait of “community and cultural identity in a polarized political climate,” as Facun famous on the ebook’s Kickstarter web page. Lush and quiet, “Black Diamonds” reveals the sweetness of Ohio’s foggy, wooded landscapes and a deep sense of intimacy with its residents, even though they’re temporary encounters.
Facun’s collection is a perspective not often seen in the picture world — a visible exploration of a largely White neighborhood by a photographer of coloration. Credit: Rich-Joseph Facun
In every portrait, a stranger turns into acquainted. There’s Erik, closely tattooed and pierced, who Facun handed by on a brisk winter day whereas leaving his physician’s workplace. Then there’s Kaylee, who had been topped on the Miss Moonshine pageant throughout the long-running New Straitsville Moonshine Festival in Perry County.
Many of the photographs have been made on meandering drives, and although not each interplay was optimistic, Facun overwhelmingly felt a way of hospitality and heat.
“I really found a great admiration for the people who are born and bred Appalachian,” mentioned Facun. “They have this really amazing resourcefulness about them. And I think that’s a very admirable trait.”
Facun’s photographs are a research of place, environment and cultural identification. Credit: Rich-Joseph Facun
“Black Diamonds” can also be a singular collection in the picture world. Countless White photographers have documented communities of coloration for main publications, picture books, picture awards and private tasks, however a BIPOC (Black, indigenous and other people of coloration) photographer setting out together with his digital camera to discover a predominantly White space is far rarer.
“It’s a problem on many levels when history is being documented predominantly by white males,” Facun mentioned. “It’s a problem (that) our visual history is not being shown through the eyes of a diverse community.”